福州鼓山导游词（精选16篇）

福州鼓山导游词 篇1

武夷山风景区是1982年国家首批的重点风景名胜区，近年又被评为世界“自然与文化”双重遗产地，也是我国仅有的四处之一。景区境内方圆70平方公里，属典型的丹霞地貌，境内有三十六峰九十九岩和一条碧绿清透盘绕山中的九曲溪。古语有云“三三秀水清如玉，六六奇峰峰翠插天”。‘三三’指的是被称为武夷山的灵魂的九曲溪，也是我国名山中不可多得的风景游览区。“溪曲三三水，山环六六峰”。“溪流九曲泻云液，山光倒浸清涟漪”，“一溪贯群山，清浅萦九曲，溪边列岩岫，倒影浸寒绿”。古人的诗句概括地勾画出了九曲溪的秀丽轮廓。‘六六’指的是三十六峰，如有被称为福建省的标志，而且有着美丽传说的玉女峰和大王峰等等。大家听到这不禁会想问我：武夷山景区真的有三十六座山峰和九十九个岩石吗?说实话连我这个土生土长的武夷山人都不知道，其实‘三三’‘六六’‘九九’是道家(道教)的术语。武夷山不仅是道教的发源地还是朱子理学的推广地，早在汉代，武夷山就被朝廷册封为天下的名山大川，并成为历代名士和禅家的盘桓之地。在景区的悬崖绝壁上，有距今近4020___年的“架壑船棺”、“虹桥板”等，还有大家所熟知的卧薪尝胆越王勾践的都城“城村古汉城遣址”。武夷岩茶也与武夷风光一样享誉天下，明末清初，乌龙茶首先在武夷山问世，武夷山成为乌龙茶的发祥地。有著名的‘大红袍’大家应该有听说过吧?在英语单词BOHEA就特指武夷红茶，也是用武夷山方言的‘武夷’来译音的，英国人最早喝的就是武夷红茶，他们懂得喝茶可是全靠武夷山哦。据考证，武夷山是世界红茶的发源地。

好了今天只能给大家简单介绍到这，因为我们已经到了所下榻的___宾馆，___宾馆座落于武夷山渡假区内，离各个景区都只有几分钟的车程。而且也渡假区内也是购武夷山特产的好地方。那现在和各位安排一下这几天的行程：明天早上安排各位游览武夷山的第一胜地‘天游峰’，下午乘坐竹筏游九曲溪。后天早上安排水帘洞，下午游览天下第一大的一线天和虎啸岩。后天的明天去武夷山的自然保护区和东南大陆第一高峰黄岗山。请各位明天早上穿运动鞋或平底鞋，特别是女士们不要为了漂亮想引起男生的注意而不听我话哦!因为我们明天要登山。现在大家下车，明天早上7点叫床，呵呵!是叫早啦!7点30分用餐，8点出发。祝各位做个美梦，男士们梦到玉女，女士们就梦到大王。

福州鼓山导游词 篇2

各位远道而来的朋友们，大家好(大声)!欢迎各位到武夷山观光旅游!首先来个自我介绍，我姓笑，笑死人的笑，大家叫我笑死人就可以了。为我们开车的师父姓黄，黄鼠狼的黄，对不起黄师父(对着司机说)，和大家开个玩笑，请别介意，是黄金的黄，各位叫他黄师父就好了。这几天你们在武夷山的食、住、行、游、购、娱就由我和黄师父来安排。若有什么要求或特殊的要求都可以向我们提出来，我们会尽力而为的。

接下来我为各位简单介绍一下武夷山市和武夷山风景区的概况：武夷山市位于福建省北部，1998年获得首批中国优秀旅游城市称号，1999年被联合国世界遗产委员会正式批准列入《世界自然与文化遗产名录》，全市总面积2798平方公里，境内拥有国家重点风景名胜区、国家重点自然保护区、国家旅游度假区、全国重点文物保护单位和国家一类航空口岸，是福建省历史文化名城。

福州鼓山导游词 篇3

说到福州，就不能不提及鼓山。早在东晋时期，福州民间就流传“右旗左鼓，八闽二绝”的风水之说，这左鼓即指鼓山，耸立于福州市东郊、闽江北岸，总面积约48平方公里，分为鼓山、鼓岭、鳝溪、磨溪、凤池白云洞五大景区。自宋朝至今皆为游览胜地，鼓山就是福建省“十佳”风景区之一。它与福州旗山遥遥相峙，重峦叠嶂、终年苍翠，山上处处有奇岩，峰峰有洞府，风光旖旎，主峰海拔900多米，对福州风水中占有相当重要的的地位。

青龙鼓山佑民安康

自古以来，福州百姓在选择及组织居住环境方面，就有采用封闭空间的传统。为了加强封闭性，还往往采取多重封闭的办法，如四合院宅就是一个围合的封闭空间;多进庭院住宅又加强了封闭的层次，而里坊又用围墙把许多庭院住宅封闭起来(比如福州的三坊七巷的构造)。 作为城市也是一样，从城市中央的衙署院(或都城的宫城)到内城再到廓城，也是环环相套的多重封闭空间。在城市的外围，按照风水格局，基址后方是以主山为屏障，山势向左右延伸到青龙、白虎山，成左右肩臂环抱之势。山的左右为青龙白虎(比如说福州的以金鸡山为青龙，大梦山为白虎，于山、乌山把住南门成左右肩臂环抱之势)，遂将后方及左右方围合。基址前方有案山遮挡，连同左右余脉，亦将前方封闭，剩下水流的缺口，又有水口山把守，这就形成了第一道封闭圈。如果在这道圈外还有主山后的少祖山及祖山，青龙、白虎山之侧的护山(比如说福州青龙之侧的护山的鼓山;白虎山之侧的旗山)。案山之外的朝山，这就形成了第二道封闭圈。可以说风水格局是在封闭的人为建筑环境外的一层天然的封闭环境。

由此我们可知，鼓山为作福州的青龙山，守护着福州这块难得的宝地，保佑着有福之州风调雨顺，人民安康。

鼓山之“鼓”意义非常

鼓山为作福州的青龙山，自有神奇之处，由其顶峰有一如鼓巨石而得名。相传这支鼓是天上的擂鼓将军为了镇住恶龙特地留下的。每当风雨交加，石鼓便有簸荡之声，那就是鼓将军在鼓山顶面对海上龙王进犯而击鼓，号召三军准备战斗。

鼓，在易经中为震、为东方。易经云：震者亨。震来，笑言哑哑。震惊百里，不丧匕鬯。其意思是重雷发向，千里传声，有惊无险之象，亦有变动之意。

易经《震卦》象征震动的鼓声：可致亨通。当惊雷鼓动的时候，天下万物都感到恐惧，然而君子却能安之若素，言笑如故;即使雷声震惊百里之遥，作为君子却能做到从容不迫，表示大丈夫威武不能屈，所以能成就大事。鼓山顶峰的石鼓亦在点醒居住福州的人们，匹夫兴亡人人有责。每当国家风云变幻之时，应该走出去，为国效力，由闽化龙之意。

九座山亭有玄机

坐落在鼓山的涌泉寺更为名扬天下，其位列闽刹之冠，是福州的骄傲，素有“既来福州，必游鼓山”之说。

涌泉寺寺院和自然景观浑然一体，山坡里原有的山泉、峭壁怪石都被巧妙地镶嵌其中，寺庙前后左右环抱着苍郁的古老大树林，可谓“进山不见寺，入寺不见山”，宛如这寺院是盘古开天地就有，是上天降落在此处。这一典型唐代建筑，坐北朝南，以三级宫殿群，顺山势而上。迈过高高的门槛，一阵佛门清静的淡雅清香就会扑面而来。很多人走进殿内，烧上一炷香，虔诚地祈祷、祝福，让人徒升心安平静之感。

建造这所寺院的开山祖师神晏更具有传奇色彩。由于寺院建造在鼓山的燕窝穴上，燕窝发燕仔燕孙，所以涌泉寺能居僧干众，蒸蒸口上。相传当时涌泉寺建成后鼓山香火愈来愈旺。为了让香客们上山方便，寺院僧众决定修条上山道路。历经七七四十九天努力，一条弯弯曲曲的石头山道，从鼓山脚下一直铺到涌泉寺的大门。

开山祖师神晏看见这条石砌大道，心里很高兴。可过了几天却怎么也高兴不起来。因为这条石砌大道寺院的僧众，病的病，死的死，香客们也闻知涌泉寺发生瘟疫，也不敢上山来了。一时间，鼓山涌泉寺僧侣四散奔逃，香客稀少，冷清寥落。

神晏心中好疑惑，为探明原因走到鼓山白云峰顶朝看石道。远远望去，隐隐约约中，他发现整条石道一股凶气缭绕不散。他连忙再仔细一一辨认，这才惊骇得他几乎失去控制喊叫出来。这条从山脚铺到涌泉寺大门口的石道，弯弯曲曲就如一条巨大蟒蛇蜿蜒而上，岭道上的一块块石头板就如蟒蛇身上的鳞甲一片片。那蛇的头对着涌泉寺大门正张着血盆大口对着燕窝吞吃出门的燕子，这石道分明是“蛇窜燕窝”!这明摆着涌泉寺的风水被这石条道破坏了。

好在神晏不愧为一代大师。他返回涌泉寺，召集众僧在新修的这条上山石道上建造了九座山亭，从山脚到山门。这条“蟒蛇“变成的石头道路中间的九座山亭，依次为闽山第一亭、东际亭、仰止亭(今已废)、观瀑亭(又名石门亭)、乘云亭、半山亭、茶亭、松关亭、更衣亭。这九座山亭像九根大铁钉，牢牢地钉在这条蟒蛇变成的石道上，把这“蟒蛇”斩成七段，使它不能再作怪。之后又从喝水岩修建一条石道，用条石铺设，直达山门。该道为蜈蚣岭道，意为蜈蚣叮七寸。蛇怕蜈蚣，这样这条毒蛇就不能复活了。蜈蚣岭道铺设完，上山道路变得四通八达了。

这一来，蟒蛇不能动弹 了。而化成蟒蛇的那条石道，永远僵死在那儿，被千人万人踩。此后，涌泉寺渐渐香火旺盛了，僧众越来越多，涌泉寺越来越闻名于世终于成了南方著名的佛教圣地。在鼓山其摩崖石刻也很闻名。

福州鼓山导游词 篇4

朋友们，大家好!欢迎来到美丽的“榕城”福州，我是旅行社导游。

福州有句古话“左旗右鼓，全闽二绝”，今天，我们就游览这其中的一绝——鼓山。鼓山位于福州东南部，是我省历史悠久的文化名山，也是省级十佳风景区之一。相传峰顶有一巨石形状象鼓，每当风雨交加，雨水拍打在石头上就会发出“咚咚”像敲鼓一样的声音，因此而名鼓山。还记得昨天我们在厦门鼓浪屿看到的鼓浪石吗?也是因为海浪拍打岩石发出“咚咚”的鼓声而得名的。它们还真是“天设一对，地造一双啊!南宋著名理学家朱熹在鼓山留下了“天风海涛”的文坛佳话，林则徐也留下了“海到无边天作岸，山登绝顶我为峰”的千古绝唱。自宋代以来历代文人墨客在山上留下的摩崖石刻多达480多处，各种字体全有，琳琅满目，犹如一座天然石刻书法宝库，被誉为“东南碑林”。

朋友们，现在让我们进入这满壁生辉的书法艺术殿堂去一饱眼福吧!看!洞口的“灵源深处”4个字是清代住山僧元贤所题，表面文意指示地名，而内在深意却是告诉后人，这一带的题刻是前人心灵深处的感情抒发，是高雅的文化殿堂的展现。

沿着陡峭的石阶而下，大家可以看到周围山势迥异，景色清幽，仿佛到了人间仙境，世外桃源，来深吸一口气，是不是有心旷神怡的感觉呢?

在灵源洞一带最著名的摩崖题刻莫过于宋代四大书法家之一蔡襄的手迹，看这“忘归石”，这也是鼓山最早的石刻。蔡襄是福建仙游人，北宋著名的政治家、书法家，在他任福州知府时，十分喜欢游玩鼓山，每每流连忘返。有一次，他流连山中美景忘了时间，待从一再催促，才知道天色已晚，于是写了“忘归石”，这3个字已表达自已依依不舍之情。如果待会儿哪位游客留连忘返，也找块石头留下墨宝，那可不行哦!

好了，现在我们在这块岩壁上看到刻有三个大字，谁来念念?这位小朋友说太简单了，是喝水的地方，还问怎么没有水呢?其实啊，这个字不念喝水的喝，为什么呢?听我给你们讲个小故事：相传古时涌泉寺开山祖师神晏法师在此诵经，嫌涧下泉水喧哗，影响诵经，便大喝一声止住流水，从此涧水改道东流，这里的溪涧也就干涸了。所以，这三个字念“喝水岩”。当然这只是民间传说，其实这时的地形按地质学上说是岩层断裂带，由于地壳运动，形成断裂面，地表水沿断裂面渗漏到地下去，当然就没水了，而不是一个人能喝水倒流的。这里到底是有水好还是无水妙呢?历代文人墨客在这里百花齐放，百家争鸣。宋代文人徐锡之在他的石刻诗上阐明了观点，看这块石碑上写到：“重峦复岭锁松关，只欠泉声入座间，我若当年待师侧，不教喝水过他山。”他认为此处重峦叠嶂，不可无水，当年要是他在，就会劝法师不要让溪水改道。近代文学家郁达夫到此曾大发感慨，他说“怪他活泼源头来，一去千年竟不回。”我们今日到此，不知大家是否有同感呢?但是，为了弥补这一大遗憾，不知哪位古贤别出心裁，在此石旁题刻“无水亦佳”，真令游客回眸一笑，意味无穷。

鼓山灵源洞一带，石谷深邃，这是地貌上的谷中谷景观。先贤们充分利用这里的石壁题诗刻字，使整个景观得以完整地保留，为鼓山增色生辉!1982年春，刘海粟大师87岁高龄时游览灵源洞，题了“胜于天竺”4个大字，赞美这里的风景和碑林。

朋友们，由于时间有限，还有很多景点没看到。希望大家有机会再到鼓山来，听那没听完的故事，看那没看完的美景，再度分享快乐的一刻!谢谢大家。

福州鼓山导游词 篇5

涌泉寺位于鼓山之上，占地约1.7公顷，仍保持着明清的建筑风格。寺依山偎谷，槛廊连缀，25座大小殿堂簇拥着大雄宝殿。大雄宝殿巨柱耸立，飞檐凌空，雄伟辉煌。殿内释迎牟尼三世佛不着梵服，只披汉装，端坐其中;两旁十八罗汉神态各异，“法相庄严”。在大殿后侧，有尊重约1.15吨的“三圣像”。像前有一张桑丝木制成的长桌，据说历经多次火劫，至今仍完好如初，被称为镇寺之宝。大殿内外有许多橡联佳句，如：“座上白云多，正丹风浴时，苍龙卧后;眼中沧海小，看七鲲东去，五虎南来。”等，皆为古寺历史和环境的生动写照。

大雄宝殿和圆通宝殿的天花板上彩绘艳丽夺目。其中，大雄宝殿有清光绪十三年(1882年)绘制的各种样龙图案129块，丹顶鹤图案86块，另有麒麟、白马、象、猿等图案27块。圆通宝殿有清光绪十三年(1882年)绘制的故事彩绘75幅。此外，还有清中国台湾知府庆保和福州将军庆霖两兄弟同献的巨匾“宝珞尊严”。殿中还保藏着几十部明版锦装的《大方广佛华严经》及明清的佛像、花瓶等。在大雄宝殿前两侧的钟、鼓楼上悬挂有古钟、鼓，其中重约2吨的金刚般若钟上铸有6372字金刚经，至今有300多年了。

在圆通宝殿西侧有圣箭堂，俗称“方丈”室。院中栽有两雌一雄的铁树，开花时黄色大如绒球。据说铁树分别为闽王王审知和首任住持神曼手植。

鼓山涌泉寺最盛时，僧人曾达1500多人。香积厨仍保留有4口巨锅，为宋朝时所制，距今有960多年。其中最大一口，一次可装水20担、下米5担，真可谓是“千口之锅”，养千人之众。

涌泉寺分别于明永乐六年(1420___年)及明嘉靖二十一年(1542年)两度毁于大火，明崇祯七年(1634年)重建，到清代又几次修建后，于1983年重修至今，如今的涌泉寺基本上保持了明清两代的建筑风格和布局。整座佛寺有大小殿堂25座，以天王殿、大雄宝殿，法堂三大殿堂为主体、依着山势层层上升、构成完整的古代建筑组群。涌泉寺前两侧的两座千佛陶塔，是北宋元丰五年(1082年)烧制的，左边一座称“庄严劫千佛陶塔”，右边一座称“贤劫千佛陶塔”，双塔是用陶土分层烧制累叠而成，八角九层，高约7米左右。塔身细部为仿宋代木构楼阁建筑风格，两座塔上各塑1038尊佛像，因而叫做千佛宝塔，八角塔檐另塑有僧人武将各36尊，悬挂陶制塔铃72枝。塔座上塑莲瓣、舞狮、侏儒，并刻有铭文，记载建塔时间和工匠姓名等。

福州鼓山导游词 篇6

朋友们，大家好!欢迎来到美丽的“榕城”福州，我是旅行社导游。

福州有句古话“左旗右鼓，全闽二绝”，今天，我们就游览这其中的一绝——鼓山。鼓山位于福州东南部，是我省历史悠久的文化名山，也是省级十佳风景区之一。相传峰顶有一巨石形状象鼓，每当风雨交加，雨水拍打在石头上就会发出“咚咚”像敲鼓一样的声音，因此而名鼓山。还记得昨天我们在厦门鼓浪屿看到的鼓浪石吗?也是因为海浪拍打岩石发出“咚咚”的鼓声而得名的。它们还真是“天设一对，地造一双啊!南宋著名理学家朱熹在鼓山留下了“天风海涛”的文坛佳话，林则徐也留下了“海到无边天作岸，山登绝顶我为峰”的千古绝唱。自宋代以来历代文人墨客在山上留下的摩崖石刻多达480多处，各种字体全有，琳琅满目，犹如一座天然石刻书法宝库，被誉为“东南碑林”。

朋友们，现在让我们进入这满壁生辉的书法艺术殿堂去一饱眼福吧!看!洞口的“灵源深处”4个字是清代住山僧元贤所题，表面文意指示地名，而内在深意却是告诉后人，这一带的题刻是前人心灵深处的感情抒发，是高雅的文化殿堂的展现。

沿着陡峭的石阶而下，大家可以看到周围山势迥异，景色清幽，仿佛到了人间仙境，世外桃源，来深吸一口气，是不是有心旷神怡的感觉呢?

在灵源洞一带最著名的摩崖题刻莫过于宋代四大书法家之一蔡襄的手迹，看这“忘归石”，这也是鼓山最早的石刻。蔡襄是福建仙游人，北宋著名的政治家、书法家，在他任福州知府时，十分喜欢游玩鼓山，每每流连忘返。有一次，他流连山中美景忘了时间，待从一再催促，才知道天色已晚，于是写了“忘归石”，这3个字已表达自已依依不舍之情。如果待会儿哪位游客留连忘返，也找块石头留下墨宝，那可不行哦!

好了，现在我们在这块岩壁上看到刻有三个大字，谁来念念?这位小朋友说太简单了，是喝水的地方，还问怎么没有水呢?其实啊，这个字不念喝水的喝，为什么呢?听我给你们讲个小故事：相传古时涌泉寺开山祖师神晏法师在此诵经，嫌涧下泉水喧哗，影响诵经，便大喝一声止住流水，从此涧水改道东流，这里的溪涧也就干涸了。所以，这三个字念“喝水岩”。当然这只是民间传说，其实这时的地形按地质学上说是岩层断裂带，由于地壳运动，形成断裂面，地表水沿断裂面渗漏到地下去，当然就没水了，而不是一个人能喝水倒流的。这里到底是有水好还是无水妙呢?历代文人墨客在这里百花齐放，百家争鸣。宋代文人徐锡之在他的石刻诗上阐明了观点，看这块石碑上写到：“重峦复岭锁松关，只欠泉声入座间，我若当年待师侧，不教喝水过他山。”他认为此处重峦叠嶂，不可无水，当年要是他在，就会劝法师不要让溪水改道。近代文学家郁达夫到此曾大发感慨，他说“怪他活泼源头来，一去千年竟不回。”我们今日到此，不知大家是否有同感呢?但是，为了弥补这一大遗憾，不知哪位古贤别出心裁，在此石旁题刻“无水亦佳”，真令游客回眸一笑，意味无穷。

鼓山灵源洞一带，石谷深邃，这是地貌上的谷中谷景观。先贤们充分利用这里的石壁题诗刻字，使整个景观得以完整地保留，为鼓山增色生辉!1982年春，刘海粟大师87岁高龄时游览灵源洞，题了“胜于天竺”4个大字，赞美这里的风景和碑林。

朋友们，由于时间有限，还有很多景点没看到。希望大家有机会再到鼓山来，听那没听完的故事，看那没看完的美景，再度分享快乐的一刻!谢谢大家。

福州鼓山导游词 篇7

涌泉寺曾为中国寺院的一所重要经书出版机构，仍保留有明末清初及近代的各种雕板2万多块。寺内的藏经殿，存有古版印刷的各类佛经9000部，计2.79万多册;手抄经书200多册;用血书写的《大乘般若波罗蜜多》经657册。其中引人注目的是17世纪鼓山住持道霈和尚著作《大方广佛华严经疏论纂要》，共有120卷，分装48册，雕版2425块。这是清康熙年间有代表性的佛学著作。涌泉寺从宋代起就刻经、印经;清康熙间，成了全国出版经书的重要场所。至今，寺内还保存历代佛经雕版11375块，堪称一座佛经的宝库。

藏经殿正中有一座释迦如来灵牙舍利宝塔，塔中仅存三颗舍利子与佛牙。舍利子是佛门高僧精、气、神的结合物，火化后遗留下的，会发光。在塔的背后安放着一尊缅甸送来的汉白玉卧佛象，佛身匀称，体态安详，作睡卧状，据说这就是释迦牟尼圆寂时的形态。

涌泉寺南侧有回龙阁，罗汉台、佛阁等，回龙阁前的放生池是北宋绍兴年间(1131～1161年)开辟，元明两代重开修缮，清乾隆二十七年(1762年)砌池岸石栏。现放生池内放养着上百只乌龟和红鲤鱼，最大的龟有上千年龟龄了。放生池内还塑有一尊高大的滴水观音菩萨石雕像，观音手中圣水瓶可流出圣水。阁后有"兰花圃"，"兰花圃"3字匾额是1961年朱德所书。

十八景

清朝道光年间诗人魏杰，根据这里的自然景物和民间传说，整理编写成十八景，刻于达摩洞外的一面岩壁上：

达摩面壁、南极升天、仙猿守峡、古鹤巢云、仙人巨迹、福寿全图、蟠桃满坞、玉笋成林、蚁蜓渡潮、渔灯普照、狮子戏球、金蟾出洞、伏虎驮经、神龙听法、铠甲卸岩、慈航架壑、八仙岩洞、千佛梵宫

观景台

倚靠着木质栏杆极目远眺，华灯初上的榕城夜景尽收眼底，阵阵凉风吹来，令人仿佛置身仙境。这是游客在鼓山十八景新建的观景台的切身感受。这座由省登山协会修建的观景台，建在鼓山海拔400米处，与姐妹楼毗邻，采用进口铁杉经防腐处理搭建而成，古色古香，结实美观。

游客可以在这里纳凉、休闲、品茗，也可以品尝到真正的农家菜。这座观景台建成以来，每天都吸引大量的游客和登山者来此休憩纳凉，为鼓山增添了一道独特的风景。

福州鼓山导游词 篇8

各位团友，早上好!首先欢迎大家来到“榕城”福州，我是旅行社的导游员，今天我们将共同游览鼓山涌泉寺。现在我们已经来到了鼓山的停车场，请大家随我下车，代好自己的贵重物品，也请记住我们的车号为闽D。我们在这里游览的时间约为2个小时，请大家11：00上车。

各位团友，我们今天要参观的鼓山是福州历史文化悠久的名山，相传峰顶有一块巨石，形状象鼓，每当风雨交加，石头传出如鼓的声音。鼓山因此得名。这在1600多年前的《迁城记》一书中，就有“左旗右鼓，全闽两绝”的说法。

鼓山海拔高度1004米。而我们参观的涌泉寺位于半山腰海拔650米处。涌泉寺距今已有1220xx年的历史，是福州五大丛林之一。涌泉寺建筑主要以天王殿、大雄宝殿、法堂为主体，寺内有“三铁”“三宝”，这“三铁”“三宝”是什么呢?在游览的过程中我将向大家一一介绍。好，各位团友，我们沿着这条小路，来到了鼓山的山门，请看石柱上的这一幅对联：“净地何须扫，空门不用关”，这是一副名联，语意双关，大家请看，这山门建在山坡口，山风直冲而来，能将落叶尘土吹得干干净净，无须人工清扫;到了夏秋季节，台风频频，山门常被刮倒，干脆就不再设门，留下现在这个空门，而从它的寓意看，净地指佛门净地，纤尘不染，自然无须清扫;空指佛门四大皆空，信仰来去自由，自然不用关。这副对联还是一副藏头联，分别取“净”“空”二字，是为纪念涌泉寺已故方丈净空法师而题。

好，各位团友，现在让我们去看看罗汉泉吧。各位团友，现在我们看到这口泉池，是“罗汉泉”，相传在建寺时，一住持和尚，梦到罗汉指点此处有泉眼，第二天，和尚们在此处挖掘，果然有清泉，于是众僧为感谢罗汉赠泉，把此泉叫着罗汉泉，涌泉寺因此而得名。

好，各位团友，请大家转过身来。现在在我们的正前方，看到“涌泉寺”这块匾额，可是康熙皇帝亲笔手书，字迹古朴，苍劲有力。

各位团友，现在请大家暂时不要进入寺庙参观，因为，我想给大家介绍我们左右两旁的塔，现在请大家猜猜我们眼前这一对小巧玲珑的塔是用什么材料做的呢?而塔在寺庙里面起到什么作用呢?

啊!您说是用木头做的，您说石头做的，您说是铁做的，大家好像都没有猜对呀，这一对塔呀是用陶土烧制而成的，他们距今可有900多年的历史了。左边这一座称为“庄严劫千佛陶塔”，代表着过去佛燃灯佛。右边一座称“贤劫千佛陶塔”，代表着现在佛释迦摩尼佛。两座塔的颜色都是棕褐色，采用陶土分层烧制，砌叠而成，塔身施釉。塔高约7米，八角九层，塔壁塑有佛像1038尊。今天我们所看的陶土烧制塔是非常少有的。

大家看它的塔铃有72个，也是用陶土精心烧制而成，每当清风掠过，它都会发出悦耳的声音，似乎是给我们送来平安的祝福。塔座上塑莲瓣、舞狮、侏儒，并刻有铭文，记载建塔时间和工匠姓名等。两塔原在福州南郊龙瑞院内，1972年迁至涌泉寺。现被列为省级文物保护单位。这两座楼阁式的陶塔，还是研究宋代建筑的实物佐证。塔在寺庙里起到什么作用呢?

其实寺庙与塔有着很深的渊源。塔，梵文卒堵坡，原为坟冢、圆丘的意思。在古印度，人们称寺庙为塔庙(塔院)。寺庙是以塔为主，人们把一些德道的高僧的舍利及经书存放于塔中。塔在寺庙被奉为吉祥的圣物，后来衍变为一种特有的宗教建筑。佛教传入中国后，中华民族善于融化外来的文化，创造出富有民族物色的文化。作为佛法象征的塔，在佛教汉化的过程中，塔的形式就有了多样性，有高的、矮的、胖的、瘦的、圆的、方的、铁的、木的，塔的用途，由以前只贮藏舍利、象征佛法，扩大为功德、寄托、纪念，甚至做为海上航行的标识，以及与风水有关的特殊建筑。今天我们所看到的陶塔也是一个值得大家多多回昧的塔，这对宋代陶塔是今天我们参观的涌泉寺的“三宝”之一，在这里给大家十五分钟的照像时间，十五分钟后我们将去参观寺庙的“三铁”和“三宝”中的另二宝!谢谢

福州鼓山导游词 篇9

这是古时登鼓山之道。从山麓廨院登上20___多级台阶，经过“七亭七里路”就可到达涌泉寺山门。第一亭：“东际亭”。过廨院即是东际桥，桥上过亭就开始登山。上99级石阶至“仰止亭”(已废)。此后途中岩石上有诸多字刻可观。第二亭：“石门亭”，古名“听涛观瀑亭”。距第一亭367级台阶。水淙淙不绝于耳。第三亭：“乘云亭”，与前亭之间有271级，沿道有石刻“乘云”、“仰涛”、“小鼓”、“天风吹梦”、“风怒涛飞”等。第四亭：“半山亭”。由第三亭至此，共有494级台阶。亭在半岭，故名。过此亭百余阶，有石刻“路通仙苑”，转小径可达“十八洞景”。“半山亭”后近300阶有石刻“桃岩洞口”，往东可到桃岩洞，桃花精舍。第五亭：“茶亭”。过半山亭约520台阶即可达此。因亭附近有茶园而得名。道边有石刻“欲罢不能”、“宜勉力”等。据说清乾隆时福州知府李拨登山至此，气喘吁吁。往上走，力有不逮;往回走，心不甘愿。遂题“欲罢不能”于亭旁大石上。第六亭：“松关亭”。距“荷亭”有300多级台阶，附近有石刻一笔“寿”、一笔“龙”、一笔“虎”，还有文天祥所书的“忠、孝、廉、节”等。第七亭：“更衣亭”。过“松关亭”几十步即是。传说闽王当年上山入寺，便在此更衣。有联曰：开门曾仰前王节，入寺还更此地衣。登山至此，汗流浃背，而高处生寒，正需更衣、添衣。附近石刻有“毋息半途”、“眼底浮云”、“心路须平”等。

福州鼓山导游词 篇10

从武夷精舍前行数百米，在接笋峰西壁岩下，有因峰岩崩塌形成的大小岩洞10余处。每当冬春二季的早晚，从洞穴里常常会冒出一缕缕淡淡的云雾，在峰石之间轻轻游荡，时而聚集一团，时而又飘散开来，舒卷自如，变幻莫测，故此地名为“云窝”。云窝四周环绕着响声岩、丹炉岩、仙迹岩、天柱峰、更衣台、晒布岩、天游峰、苍屏峰、接笋峰等。过问樵台，前面大家看见的这个石门，就是叔圭精舍旧址。门额上“叔圭精舍”四字清晰可见。叔圭、姓江名贽，北宋人，官举孝廉。这里原有一座考究的古建筑，是清初为纪念江贽而建造的，现仅存这道石门。过叔圭精舍石门，但觉豁然开朗。左边这个濒临九曲溪巡的亭子叫石沼青莲亭。右边这座山峰是隐屏峰，依附于隐屏峰，峰腰横列三痕，仿佛折断又连接在一起的山峰，叫接笋峰。隐屏峰下的这座亭叫水月亭。据说月明星稀夜晚在亭中把酒赏月，可风到四个月亮。请各位朋友猜猜看，有哪四个月亮?(天上一个，水中一个，杯中一个，还有心中一个)。云窝中间这块漆黑巨石，大家看，像不像一头伏卧的大象，俗称铁象岩。铁象岩中间裂开一罅，人穿行于其中，但觉天光如线。为区别溪南灵岩一线天，故称它为“小一线天”。云窝以铁象岩为界，分上、下云窝。云窝巨石倚立，背岩临水，地处武夷山精华地带，为武夷首胜之区。这里历来是古代文人墨客、名宦隐潜居养心之所。明万历十一年(1583年)，兵部侍郎陈省曾在上下云窝间，兴建“幼溪草庐”，计有宾云堂、栖云阁、巢云楼、生云台、迟云亭等10余处亭、台、楼、阁，极为富丽堂皇。可惜这些建筑早已废圯，岩壁间留下的些许摩崖题刻，还能让人依稀记起昔日的繁华。关于幼溪草堂和武夷精舍，还留下一段有趣的故事。相传陈省在云窝构筑幼溪草庐时，朱熹当年营建的紫阳书院十分破旧。一边是优雅的环境，精美的建筑;一边是年久失修，即将坍废的书院。一士人见此情景，便题诗于壁：“紫阳书院对清波，破壁残碑半女笋。颇爱隔邻亭榭胜，画栏朱拱是云窝。”陈省见诗笑曰：这分明是激我乎。即日捐资雇工，大兴土木，将紫阳书院修复一新。

福州鼓山导游词 篇11

各位朋友，现在我们看到的这堵墙就是武夷精舍遗址。武夷精舍是宋淳熙十年(1183年)，南宋大理学家朱熹亲自擘划、营建的书院。据董天工的《武夷山志》记载：武夷精舍是当时武夷山的一大建筑，人称"武夷之巨观"。有仁智堂、隐求室、止宿寮、石门坞、观善斋、寒栖馆、晚对亭和铁笛亭等建筑。四方来者，莫不叹其佳胜。朱熹在武夷精舍著书立说，倡道讲学达十年之久，培养了大批理学人才。因此他创办的武夷精舍备爱封建统治者的重视，历代都曾加以葺治、增广。南宋末期，经扩建后的武夷精舍，改名为“紫阳书院”，由官府拨给公田以供养学者。随后又设置“山长”这个教职，来主持教事。元初，改山长为“教授”。至正二十五年(1365年)，武夷精舍毁于兵灾。明正统十三年(1448年)，朱熹八世孙朱洵、朱澍出资重建后，又改称“朱文公祠”，崇祀朱熹。清康熙年间，赐予“学达性天”匾额，再度大兴土木加以修葺。至今残留的精舍遗址，则是清康熙五十六年(1720__年，闽浙总督常见罗满保“捐俸倡修”的，距今已有二百多年的历史。

福州鼓山导游词 篇12

现在我们终于登上了天游峰一览台，大家一路辛苦了。根据刚才大家报来的数字看，张先生、李先生数得最为精确，共有石阶826级，谢谢大家的合作。天游泳池峰东接仙游岩，西连仙掌峰，壁立万，高耸群峰之上。每当雨后乍晴，晨曦初露之时，白茫茫的烟云，弥山漫谷;风吹云荡，起伏不定，犹如大海的波涛，汹涌澎湃。站在一览台上望云海，变幻莫测，宛如置身于蓬莱仙境，邀游于天宫琼阁，故名“天游”。一览台位于景区中心，是一处绝好的武夷山水观赏台。随着时序流转，在这里可以观赏到日出、云雾、佛光、夕阳、明月等天游五绝，从一览台上赁栏远眺，但见群峰点点，西望那座山峰就是八曲的三教峰，东望这卒山峰是一曲的大王峰。俯瞰九曲蜿蜒，竹筏轻荡，武夷山水尽收眼底，令人心胸开阔，陶然忘归。徐霞客评点说：“其不临溪而能尽九溪而能尽九溪之胜，此峰固应第一也。”

从一览台前行，眼前座宫观式的建筑，就是天游观。观后的妙高台上，大家看到的这棵挂有古树名木牌子的树，就是罕见的红豆树。每当成熟季节，山风轻拂，豆荚就纷纷撒落在地，滚出殷红的豆粒，晶莹闪亮，鲜艳可爱。

唐朝诗人王维有诗道：“红豆生南国，春来发几枝?愿君多采撷，此物最相思。”但愿大家能在树下多找出几粒带回家中，成为武夷山之得的美好纪念。红豆树旁的这条涧称胡麻涧。涧旁的石壁上，有历代摩崖石记得余处。其中最大这一幅“第一山”，系道光壬辰冬武显将军岭南徐庆超题写。意思是说天游峰即是“武夷第一胜地”，那么，理应号称“第一山”。也有人解释说，武夷山是道教名山，列三十六洞天中的第十六升真元化洞天。道教的创始人是老子，老子天下第一。因此，他所占居的名山，就应该是天下“第一山”。欣赏完摩崖石刻，登上崎岖丘，前面这座牌坊就是中正公园牌坊，原来牌坊上镌刻有“中正公园”四字，“战争期间被敲掉，现有关部门正总任务恢复这一景观。

福州鼓山导游词 篇13

Good morning, everyone. First of all, welcome to Fuzhou, Rongcheng. I'm __tour guide of __ travel agency. Today we will visit Yongquan temple in we have come to the parking lot of Gushan. Please follow me to get off andtake care of your valuables. Please also remember that our car number is min d __. Our tour time here is about 2 hours. Please get on the bus at 11:00.

Members, today we are going to visit Gushan, a famous mountain with a longhistory and culture in Fuzhou. It is said that there is a huge stone at the topof the peak, which looks like a drum. Whenever there is wind and rain, it soundslike a drum. So Gushan got its name. In the book "the story of moving a city"more than 1600 years ago, there was a saying that "the Left Banner and the rightdrum are unique in Fujian".

The altitude of Gushan is 1004 meters. The Yongquan temple we visited islocated at an altitude of 650 meters on the hillside. Yongquan temple, with ahistory of 1200 years, is one of the five largest jungles in Fuzhou. Yongquantemple is mainly composed of Tianwang hall, Daxiong hall and Dharma hall. Thereare "three railways" and "three treasures" in the temple. What are these "threerailways" and "three treasures"? During the tour, I will introduce them one byone. Well, members of the group, we came to the Mountain Gate of Gushan alongthis path. Please look at the couplet on the stone column: "why clean the land,don't close the empty door". This is a famous couplet, meaning pun. Please see,the mountain gate is built at the entrance of the hillside, and the mountainwind blows straight in, which can blow the fallen leaves and dust clean withoutmanual cleaning; In summer and autumn, typhoons are frequent, and the mountaingate is often blown down, so there is no more gate, leaving the empty gate. Fromits moral point of view, pure land refers to the pure land of Buddhism, which isspotless, so there is no need to clean it; empty land refers to Buddhism, whichis free of belief, so there is no need to close it. This couplet is also aTibetan head couplet, with the words "Jing" and "Kong" respectively. It iswritten in memory of the late abbot of Yongquan temple, master Jingkong.

OK, members, now let's go to luohanquan. Members, now we see that thisspring pool is "Luohan spring". It is said that during the construction of thetemple, a Abbot monk dreamed that there was a spring here. The next day, themonks dug here, and sure enough, there was a clear spring. So in order to thankLuohan for giving the spring, the monks called this spring Luohan spring, andYongquan Temple got its name.

OK, members, please turn around. Now in front of us, we can see the plaqueof Yongquan temple, which was written by Emperor Kangxi himself. The handwritingis simple and powerful.

Members of the group, please do not enter the temple for the time being,because I want to introduce the towers on both sides of us. Now, please guesswhat materials are used for this pair of small and exquisite towers in front ofus, and what role do the towers play in the temple?

Ah! You said it was made of wood, you said it was made of stone, and yousaid it was made of iron. No one seems to have guessed right. This pair oftowers are made of clay. They have a history of more than 900 years. The one onthe left is called the "solemnly robbing Thousand Buddhas pagoda", whichrepresents the Buddha of the past and the light burning Buddha. The one on theright is called "Xianjie thousand Buddha pagoda", which represents the presentBuddha Sakyamuni Buddha. The color of the two towers is brown. They are fired inlayers with clay, stacked and glazed. The tower is about 7 meters high and hasnine octagonal stories. There are 1038 Buddha statues on the wall of the earthenware firing tower we see today is very rare.

You can see that there are 72 tower bells, which are also made of ever the wind blows, it will make a pleasant sound, which seems to send us ablessing of peace. Lotus petals, lion dances and dwarfs are carved on the baseof the tower, and inscriptions are engraved to record the time when the towerwas built and the names of the craftsmen. The two pagodas were originallylocated in Longrui courtyard in the southern suburb of Fuzhou. They were movedto Yongquan temple in 1972. Now it is listed as a provincial cultural relicprotection unit. These two pavilions are the evidence for the study of SongDynasty architecture. What role does the tower play in the temple?

In fact, the temple and the tower have a deep origin. Tower, Sanskrit zuduslope, originally meant tomb, dome. In ancient India, people called templespagoda temples. The temple is dominated by pagodas, in which people store therelics and scriptures of some eminent monks. The pagoda was regarded as anauspicious relic in the temple, and later evolved into a unique religiousbuilding. After Buddhism was introduced into China, the Chinese nation is goodat melting foreign culture and creating a culture rich in national material. Asa symbol of Buddhism, in the process of the Sinicization of Buddhism, the formof the pagoda has been diversified, including high, short, fat, thin, round,square, iron and wood. The purpose of the pagoda has been expanded from onlystoring relics and symbolizing Buddhism to merit, sustenance and commemoration,and even as a sign of maritime navigation, as well as special buildings relatedto geomantic omen. The pottery pagoda we see today is also a pagoda worthy ofyour appreciation. This pair of Song Dynasty pottery pagodas is one of the"three treasures" of Yongquan temple that we visit today. Here we give you 15minutes to take photos. In 15 minutes, we will visit the "three railways" andthe other two treasures of the "three treasures" of the temple. Thank you

福州鼓山导游词 篇14

Distinguished guests

Hello everyone! Welcome to Fuzhou.

I'm __, the tour guide of China Travel Agency. Next to me is Ma Shifu, whois experienced in driving. Today and tomorrow, we are going to spend the trip inFuzhou with you. I wish you have a good time, eat at ease and sleep at 's a great honor to accompany you to Gushan, the most famous touristattraction in Fuzhou, which is known as "Fujian mountain first".

With an altitude of 969 meters and an area of 1890 hectares, Gushan standsin the eastern suburb of Rongcheng and on the North Bank of Minjiang AN is one of the top ten scenic spots in Fujian Province and also a nationalscenic spot. As early as more than 1000 years ago, it has been famous. LangGuoPu, the Shangshu of the Western Jin Dynasty, praised "Zuoqi (mountain) andYougu (mountain) as the two best in Fujian" in the book of moving cities. It isnamed Gushan because there is a huge stone like a drum at the top of themountain. Whenever there is wind and rain, there will be a sound of e are three ways to climb Gushan Mountain from the Piedmont courtyard: oneis from the east side of the courtyard, which was built in 1954. The second isto build an aerial cableway (cable car) on the west side of the courtyard toreach the 18 scenic spots of Gushan, which is more than 1000 meters long; thethird is to build an ancient stone step road between the highway and thecableway, which is 3 meters long. It is 5 km long and has 2145 steps. A pavilionis built every 500 meters or so for tourists to rest on the mountain. Theancient road is zigzag and winding up. After passing through the sevenpavilions, you can enter the mountain gate to Yongquan temple. With Yongquantemple as the center, Gushan Scenic Spot is divided into four roads, East, West,North and south, with more than 160 sceneries.

Color is more intense, and more people know and love it. Therefore, Gushancliff stone carvings can be seen everywhere, about 549. Since the Song Dynasty,famous poets have chiseled various types of stone carvings in Jueming, Lingyuancave, Baiyun cave, relic cave, 18 scenes of Damo and the rocks beside theancient road. Among them, more than 300 are carved near Lingyuan cave, which isalso the place with the most cliff carvings. Among them are the handwriting ofCAI Xiang, Li Gang, Zhao Ruyu and Zhu Xi, the great calligraphers of the SongDynasty, and Guo Moruo, a modern man. The natural "forest of Steles" of sealscript, Li script, Kai script, Xing script and Cao, which are gathered by thesefamous people, are really dazzling. GUSHAN is also a rare Calligraphy Gallery inChina. It is like a natural treasure house of stone calligraphy, so it is called"southeast forest of Steles".

There are four characters in front of the stone arch "deep in the spiritsource". After entering the stone gate, more than 60 steps down the cliff,Lingyuan cave, where we are now, belongs to the valley in valley terrain ingeography. It has different mountains and strange rocks. There is a deep streambetween the two peaks, about 3 meters wide and more than two feet deep. It islike a stone cave, which is called Lingyuan cave. In summer, it is a naturalair-conditioned room, very comfortable. For this reason, a famous person in theSong Dynasty, who was greedy for the beautiful scenery here, forgot the time togo home and left behind the words "forget to return stone". Who is this man?Let's look ahead. The three big red characters "forget to return stone" in theforeword are mentioned by Cai Xiang, a great calligrapher of Song Dynasty. CaiXiang is a famous statesman and calligrapher in the Northern Song Dynasty. Hewas born in Xianyou, Fujian Province. He was smart and studious when he wasyoung. He became a scholar when he was 18 years old. Since then, he has enteredan official career. He is honest, upright and selfless. He has done a lot ofgood things for the people and won the support of the people. It can be seenfrom this picture that in 1045, Cai Xiang was appointed as Zhizhou in Fuzhou foronly one year. He came to Gushan with Guo Shiji, Su caiweng and Shao use of the mountain beauty, forget time, so leave "forget stone" threewords. Cai Xiang is versatile, and his articles and calligraphy are very "tea record" and "litchi manual" are the earliest agricultural Monographs inChina. However, Cai Xiang's greatest influence on later generations is hiscalligraphy, which has been highly appraised in the past dynasties. Latergenerations call him, Su Dongpo, Mi Fu and Huang Tingjin the four greatestcalligraphers of the Song Dynasty. Cai Xiang is a versatile calligrapher,

As far as Cai Xiang's regular script is concerned, critics think that CaiXiang's regular script is deeply influenced by Tang Yan style. If you see YanZhenqing's regular script in his later period, it is not difficult to find thattheir regular script is quite close, both of them are strong, majestic, squareand full. On the basis of absorbing the characteristics of strong and majesticface and square and full body, Cai Xiang wrote his words with great strength andelegant posture. Therefore, Cai Xiang's regular script has a "dignified andcalm" style.

Please look at the cliff of Maitreya Pavilion on your left hand. ShiYuanchang wrote "drinking water rock" in 1061. There is a little legend aboutthese three words that Lingquan never returns after drinking. It is said thatthe founder of Yongquan temple, Shen Yan, chanted here in ancient times. Becauseof the noise of the running water under the stream, he gave a loud drink to stopthe running water. Since then, the stream has changed its way to the East, andthe stream here has dried up. Where is the stream now? I will take you to findthe spring later. For example, Xu Xizhi, a scholar of the Song Dynasty, thoughtthat "when the mountains are heavy and the mountains are complex, the lock isloose, and only when the spring is seated, I would not drink water from othermountains if I were a waiter." Even Yu Dafu, a modern writer, has left a"strange impression that he is lively and never comes back to the source ofwater for thousands of years." Some people think that there should be no waterhere, while others think that it is better to have no water. If you look up,will those four characters make us have endless memories? In addition, there areink marks left by Lin Gongji, Yan Du, sun Jue, Wei Jie and other people in SongDynasty. All kinds of calligraphy styles have their own charm for you toenjoy.

福州鼓山导游词 篇15

Hello, friends! Welcome to the beautiful "Rongcheng" Fuzhou. I'm __ tourguide of __ travel agency.

There is an old saying in Fuzhou that "Left Banner and right drum are thebest in Fujian". Today, we will visit Gushan, one of the best in Fujian. GUSHAN,located in the southeast of Fuzhou, is a famous cultural mountain with a longhistory in our province and one of the top ten scenic spots in the province. Itis said that there is a huge stone at the top of the peak, which is like a ever there is wind and rain, the rain will make a sound like a drum, so itis called Gushan. Do you remember the drum rock we saw yesterday on GulangyuIsland in Xiamen? It was also named after the "thumping" drum sound of the wavesbeating on the rocks. Zhu Xi, a famous Neo Confucianist of the Southern SongDynasty, left a literary story of "the wind of heaven and the waves of the sea"in Gushan, and Lin Zexu also left a masterpiece of "the sea is boundless, thesky is the shore, the mountain is the top, I am the peak". Since the SongDynasty, there have been more than 480 cliff inscriptions left on the mountainby the literati of all dynasties. There are all kinds of fonts, which are like anatural treasure house of stone calligraphy. It is known as the "forest ofsoutheast steles".

My friends, now let's enter this magnificent hall of calligraphy art tohave a good look! Look! The four words "deep in the spiritual source" at theentrance of the cave are written by Yuan Xian, a monk living in the mountains inthe Qing Dynasty. The surface meaning indicates the place name, while the innermeaning tells later generations that the inscriptions in this area are theemotional expression of the predecessors' hearts and the exhibition of theelegant cultural palace.

Down the steep stone steps, you can see that the surrounding mountains arevery different and the scenery is quiet. It seems that you have arrived at afairyland and a paradise. Do you feel relaxed and happy when you take a deepbreath?

The most famous cliff inscription in Lingyuan cave is the handwriting ofCAI Xiang, one of the four greatest calligraphers in Song Dynasty. Look at this"forget to return stone", which is also the earliest stone inscription inGushan. Cai Xiang was born in Xianyou, Fujian Province. He was a famousstatesman and calligrapher in the Northern Song Dynasty. When he was themagistrate of Fuzhou, he liked to visit Gushan very much and often forgot toreturn. Once, he wandered through the beautiful scenery in the mountains,forgetting the time. When he was urged repeatedly, he realized that it wasgetting late, so he wrote "forget to return stone". These three words havealready expressed his reluctant feelings. If any tourist forgets to returnlater, he can't find a stone to leave his calligraphy!

Well, now we see three big characters engraved on this rock wall. Who canrecite them? The child said it's too simple. It's a place to drink water. Healso asked why there is no water. In fact, if the word doesn't recite water,why? Let me tell you a little story: it's said that master Yan, the founder ofYongquan temple in ancient times, recited scriptures here. He thought that thesound of the spring influenced the chanting Stop the running water with a bigdrink. Since then, the stream has been diverted to the East, and the stream herehas dried up. Therefore, these three words read "drinking water rock". Ofcourse, it's just a folk legend. In fact, the terrain at this time is a rockfracture zone geologically. Due to the crustal movement, a fracture surface isformed, and the surface water seeps down the fracture surface. Of course, thereis no water, not one who can drink water back. Is it better to have water or nowater here? A hundred flowers bloom and a hundred schools of thought contendhere. Xu Xizhi, a scholar of the Song Dynasty, expounded his point of view inhis stone carving poem. Looking at this stone tablet, he wrote: "the mountainsare heavy, the mountains are complex, the lock is loose, only the sound of thespring is not enough. If I had been at my teacher's side in those years, I wouldnot have taught to drink water to cross other mountains." He thought that therewere so many mountains here that there was no water. If he had been there, hewould have advised the master not to change the way of the stream. Yu Dafu, amodern litterateur, once expressed great emotion here. He said, "it's strangethat he came from the source of his liveliness and never came back for athousand years." We are here today. I don't know if you all feel the ver, in order to make up for this great regret, I don't know which ancientsage has a unique idea. The inscription "without water is also good" beside thestone really makes the tourists look back and smile, which means a lot.

Lingyuan cave in Gushan has a deep stone Valley, which is a valley invalley landscape. In the spring of 1982, when Master Liu Haisu was 87 years old,he visited Lingyuan cave and wrote four big words: "better than Tianzhu",praising the scenery and forest of Steles here.

My friends, due to the limited time, there are still many scenic spots notseen. I hope you have a chance to come to Gushan again, listen to the endlessstories, watch the endless beautiful scenery, and share a happy moment again!Thank you.

Fuzhou Gushan tour guide 3:

When it comes to Fuzhou, we have to mention Gushan. As early as the EasternJin Dynasty, the saying of Fengshui "zuogu in the Right Banner, two unique inFujian" was spread among the people in Fuzhou. This zuogu refers to Gushan,which stands in the eastern suburb of Fuzhou and on the North Bank of MinjiangRiver, covering a total area of about 48 square kilometers. It is divided intofive scenic areas: Gushan, Guling, Yixi, Moxi and Fengchi Baiyun cave. GUSHAN isone of the top ten scenic spots in Fujian Province. It stands far away from theQishan mountain in Fuzhou. It is full of mountains and green all the year e are strange rocks everywhere on the mountain. There are caves on the main peak is more than 900 meters above sea level. It plays an importantrole in Fuzhou's geomantic omen.

Qinglong Gushan benefits people's health

Since ancient times, Fuzhou people in the choice and organization of livingenvironment, there is a tradition of using closed space. In order to strengthenthe closeness, we often adopt the method of multiple closures. For example, thequadrangle house is a enclosed space; the multi entrance courtyard housestrengthens the level of closure, and the Lifang uses walls to close manycourtyard houses (such as the structure of three lanes and seven alleys inFuzhou). As a city, it's the same. From the Central Government Office (or thepalace of the capital city) to the inner city, and then to the Kuocheng, it'salso a multi enclosed space. In the periphery of the city, according to thegeomantic pattern, the main mountain is used as the barrier behind the basesite, and the mountain extends to the Qinglong and Baihu mountains, forming atrend of encircling the left and right shoulder arms. The left and right sidesof the mountain are green dragons and white tigers (for example, in Fuzhou,Jinji mountain is green dragon, Dameng mountain is white tiger, and Yushan andWushan hold the south gate to encircle the left and right shoulders and arms) front of the base site, there is a mountain to block it. Along with the leftand right veins, the front is also closed, and the gap of water flow is e is also Shuikou mountain to guard it, which forms the first closed there are Shaozu mountain and Zushan mountain behind the main mountain, andthe mountain protection on the side of Qinglong and Baihu mountain (for example,Gushan Mountain on the side of Qinglong in Fuzhou and Qishan mountain on theside of Baihu mountain). Chaoshan outside the case mountain, which formed asecond closed circle. It can be said that Fengshui pattern is a natural closedenvironment outside the closed man-made building environment.

From this, we can see that Gushan is the Qinglong mountain of Fuzhou,guarding this rare treasure land of Fuzhou, and blessing the state with goodweather and people's well-being.

GUSHAN's "drum" is of great significance

GUSHAN is the Qinglong mountain in Fuzhou. It has its own magic. It isnamed after its peak, which is like a huge drum stone. It is said that this drumwas specially left by the general of beating drum in the sky to suppress thedragon. Every time there is a storm, the stone drum will have the sound ofturbulence, that is, the drum general beat the drum in the face of the invasionof the Dragon King on the sea at the top of the Drum Mountain, calling on thethree armies to prepare for battle.

Drum, in the book of changes for the earthquake, for the East. According tothe book of changes, zhenzheheng. Shock, smile dumb. Shocked a hundred Li, notlost dagger. It means that the heavy thunder is sent to the direction, and thesound is heard from thousands of miles. It has the appearance of no danger, andit also has the meaning of change.

The book of changes "Zhengua" symbolizes the drum sound of vibration: itcan be prosperous. When the thunder stirs up, all things in the world areafraid, but the gentleman can be calm and smile as usual. Even if the thundershakes a hundred miles away, the gentleman can be calm, which means that the manis powerful and unyielding, so he can achieve great things. The stone drum atthe top of Gushan Mountain is also enlightening the people living in yone is responsible for the rise and fall of every man. Whenever the countrychanges, we should go out and work for the country.

Nine mountain pavilions have secrets

Yongquan temple, located in Gushan, is even more famous in the world. It isthe pride of Fuzhou. It is known as "if you come to Fuzhou, you must visitGushan".

Yongquan temple is integrated with the natural landscape. The originalmountain springs and cliffs and rocks in the hillside are cleverly inlaid in nd the front and back of the temple, there are ancient trees. It can be saidthat "when you enter the mountain, you can't see the temple. When you enter thetemple, you can't see the mountain". It's just like the temple was created byPangu, and heaven landed here. This typical Tang Dynasty building, facing southfrom the north, is a group of three-level palaces, rising along the the high threshold, a burst of Buddhism quiet elegant fragrance will people go into the hall and burn incense to pray and bless, which makespeople feel at ease.

Yan, the founder of the temple, is even more legendary. Because the templeis built on the swallow's nest cave in Gushan, and the swallow's nest is theoffspring of the swallow, Yongquan temple can live in the monks and the masses,and steam at the mouth. It is said that after Yongquan temple was built, Gushanincense became more and more popular. In order to make it convenient forpilgrims to go up the mountain, the monks decided to build a road up themountain. After 49 days of hard work, a winding stone mountain road has beenpaved from the foot of Gushan to the gate of Yongquan temple.

The founder Shen Yan was very happy to see this stone road. But after a fewdays, I couldn't be happy. Because the monks of this stone road temple are sickand dead. The pilgrims are also afraid to go up the mountain when they hear thatthere is a plague in Yongquan temple. For a time, the monks of Yongquan templein Gushan fled everywhere, with few Pilgrims.

In order to find out the reason, Shen Yan went to the top of Baiyun peak inGushan and looked at the stone road. From a distance, vaguely, he found that thewhole stone road was surrounded by a fierce air. He quickly and carefully toidentify one by one, this was so frightened that he almost lost control andcried out. The stone road from the foot of the mountain to the gate of Yongquantemple is like a giant python winding up. The stone slabs on the mountain roadare like scales on the python. The snake's head is facing the gate of Yongquantemple. It's opening its mouth and swallowing the swallows in the bird's stone road is clearly "snake fleeing the bird's nest"! It clearly showsthat the fengshui of Yongquan temple is destroyed by this stone road.

Fortunately, Shenyan is worthy of being a great master. He returned toYongquan temple and gathered monks to build nine mountain pavilions on the newlybuilt stone road, from the foot of the mountain to the gate. The nine mountainpavilions in the middle of the stone road turned into "boa constrictor" are thefirst Pavilion in Fujian mountain, Dongji Pavilion, Yangzhi Pavilion (nowabandoned), waterfall viewing Pavilion (also known as Shimen Pavilion), ChengyunPavilion, Banshan Pavilion, tea pavilion, songguan Pavilion and dressingPavilion. These nine mountain pavilions, like nine iron nails, are firmly nailedto the stone road turned by the python, cutting the "Python" into sevensections, so that it can no longer make trouble. After that, a stone road wasbuilt from shuishuiyan and paved with stones to the gate. The road is wugonglingRoad, meaning seven inches of centipede Ding. Snakes are afraid of centipedes,so this poisonous snake can't be revived. After the wugongling road was paved,the uphill road became accessible in all directions.

Now the boa constrictor can't move. And the stone road that turned into aboa constrictor was forever frozen there and trampled by thousands of e then, Yongquan temple has become more and more famous, and has become afamous Buddhist holy land in the south. In Gushan, its cliff carvings are alsovery famous.

福州鼓山导游词 篇16

Hello, friends! Welcome to the beautiful "banyan city" Fuzhou, I am __travel agency tour guide __.

There is an old saying in Fuzhou that "Left Banner and right drum are thebest in Fujian". Today, we will visit Gushan, one of the best in Fujian. GUSHAN,located in the southeast of Fuzhou, is a famous cultural mountain with a longhistory in our province and one of the top ten scenic spots in the province. Itis said that there is a huge stone at the top of the peak, which is like a ever there is wind and rain, the rain will make a sound like a drum, so itis called Gushan. Do you remember the drum rock we saw yesterday on GulangyuIsland in Xiamen? It was also named after the "thumping" drum sound of the wavesbeating on the rocks. Zhu Xi, a famous Neo Confucianist of the Southern SongDynasty, left a literary story of "the wind of heaven and the waves of the sea"in Gushan, and Lin Zexu also left a masterpiece of "the sea is boundless, thesky is the shore, the mountain is the top, I am the peak". Since the SongDynasty, there have been more than 480 cliff inscriptions left on the mountainby the literati of all dynasties. There are all kinds of fonts, which are like anatural treasure house of stone calligraphy. It is known as the "forest ofsoutheast steles".

My friends, now let's enter this magnificent hall of calligraphy art tohave a good look! Look! The four words "deep in the spiritual source" at theentrance of the cave are written by Yuan Xian, a monk living in the mountains inthe Qing Dynasty. The surface meaning indicates the place name, while the innermeaning tells later generations that the inscriptions in this area are theemotional expression of the predecessors' hearts and the exhibition of theelegant cultural palace.

Down the steep stone steps, you can see that the surrounding mountains arevery different and the scenery is quiet. It seems that you have arrived at afairyland and a paradise. Do you feel relaxed and happy when you take a deepbreath?

The most famous cliff inscription in Lingyuan cave is the handwriting ofCAI Xiang, one of the four greatest calligraphers in Song Dynasty. Look at this"forget to return stone", which is also the earliest stone inscription inGushan. Cai Xiang was born in Xianyou, Fujian Province. He was a famousstatesman and calligrapher in the Northern Song Dynasty. When he was themagistrate of Fuzhou, he liked to visit Gushan very much and often forgot toreturn. Once, he wandered through the beautiful scenery in the mountains,forgetting the time. When he was urged repeatedly, he realized that it wasgetting late, so he wrote "forget to return stone". These three words havealready expressed his reluctant feelings. If any tourist forgets to returnlater, he can't find a stone to leave his calligraphy!

Well, now we see three big characters engraved on this rock wall. Who canrecite them? The child said it's too simple. It's a place to drink water. Healso asked why there is no water. In fact, if the word doesn't recite water,why? Let me tell you a little story: it's said that master Yan, the founder ofYongquan temple in ancient times, recited scriptures here. He thought that thesound of the spring influenced the chanting Stop the running water with a bigdrink. Since then, the stream has been diverted to the East, and the stream herehas dried up. Therefore, these three words read "drinking water rock". Ofcourse, it's just a folk legend. In fact, the terrain at this time is a rockfracture zone geologically. Due to the crustal movement, a fracture surface isformed, and the surface water seeps down the fracture surface. Of course, thereis no water, not one who can drink water back. Is it better to have water or nowater here? A hundred flowers bloom and a hundred schools of thought contendhere. Xu Xizhi, a scholar of the Song Dynasty, expounded his point of view inhis stone carving poem. Looking at this stone tablet, he wrote: "the mountainsare heavy, the mountains are complex, the lock is loose, only the sound of thespring is not enough. If I had been at my teacher's side in those years, I wouldnot have taught to drink water to cross other mountains." He thought that therewere so many mountains here that there was no water. If he had been there, hewould have advised the master not to change the way of the stream. Yu Dafu, amodern litterateur, once expressed great emotion here. He said, "it's strangethat he came from the source of his liveliness and never came back for athousand years." We are here today. I don't know if you all feel the ver, in order to make up for this great regret, I don't know which ancientsage has a unique idea. The inscription "without water is also good" beside thestone really makes the tourists look back and smile, which means a lot.

Lingyuan cave in Gushan has a deep stone Valley, which is a valley invalley landscape. In the spring of 1982, when Master Liu Haisu was 87 years old,he visited Lingyuan cave and wrote four big words: "better than Tianzhu",praising the scenery and forest of Steles here.

My friends, due to the limited time, there are still many scenic spots notseen. I hope you have a chance to come to Gushan again, listen to the endlessstories, watch the endless beautiful scenery, and share a happy moment again!Thank you.